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In his essay about Vadivelu, he writes that the comedian plays an important role as the antithesis of the Tamil hero, who is often the symbol of valour, honour, pride, patriarchy, caste supremacy etc. It is this nature of his work that makes him remarkable in the film culture of our times, argues Stalin Rajangam, a film scholar and Dalit intellectual. But he knows and we know that he is a “dummy piece” (a Vadivelu-ism for something that looks substantial but is actually ineffective). As Snake Babu, Bullet Pandi, or Kaippulla, Vadivelu plays the bombastically pretentious Everyman, who will go to any length to pose as the omnipotent, strong, valorous, undefeated leader.
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What Vadivelu does is what Tamilians call “getthu kaatradhu”, the closest English translation might be “disproportionate build-up”, which falls apart to great comic effect.Ī typical Vadivelu character is that of an unemployed villager, or a tactless businessman, or a perpetual college student, or even a disrespected cop. Calling his humour slapstick and self-deprecating wouldn’t quite explain its true greatness. His comedy is made up of delightfully exaggerated facial expressions, intonation, and an embellished sense of self. In retrospect, that might just be said of him, too. “Only you possible,” he tells Velan (Kamal Hassan, the film’s hero), about something that’s seemingly impossible. His small build, dark complexion, unruly hair, and broken English added up to his humour. Even though his career began a few years earlier, his claim to fame came in the 1992 film Singaravelan, where he played a nondescript role, being third or fourth-fiddle to the significantly bigger comedian Goundamani.
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Vadivelu dominated Tamil film comedy in the 1990s and 2000s.